DC ROCK CLUB
Long live rock, I need it every night
Showing posts with label Peel. Show all posts
Showing posts with label Peel. Show all posts

Friday, July 31, 2009

My Favorite Band (this week) - Peel


Regular readers know I'm oh-so-ghey for Peel. I've written about them many, many times. Is that about to change? The band might be taking a hiatus. Here's a post from their site:
Josh is moving to San Francisco. This means uncertain times for Peel, and we are sad that our friend is moving so far away, but it's also a opportunity for fresh starts, new sounds, and renewal.

What does "uncertain times" mean? Will they go on without Josh, reform as a new band called Squeal, or just hang it up altogether? We'll have to wait and see. They're supposed to release another EP (a follow up to the excellent Auguest Exhaust Pipes) so I'm guessing we haven't seen the last of Peel playing live.

Before Josh heads to California the band is having a big blowout party. And they're doing it Kid 'n Play style: a House Party (1522 E. 12th, Austin, TX). Five bucks gets you in with a cup for the kegs. On top of that you get top notch entertainment: Little Stolen Moments, {{{Sunset}}}, and, of course, Peel.

Friday, September 19, 2008

The Peel World


Last weekend, after a myriad of drinks at Super Zoe's house, I headed downtown to see the house band for my drunken nights in Austin: Peel. Even though I'd seen them twice recently I was up for another show. I was guided by this simple formula: Peel + Two Japanese rock bands + Beerland = guaranteed good time. You don't need to be a Calculus professor to understand that equation.

BTW, how funny is the name Beerland? It's like opening a deli and calling it Meatland. As you can imagine, it's a dive bar but it's a fun place to spend a Friday night. It was also a good setting to see the lo-fi (yet boisterous) pop songs of Peel. They played all my favorites off their album: "Moxy Blues", "In The City", and "Workers, Wake Up". They also added some songs from their EP, August Exhaust Pipes, as well as a few new tunes. The Beerland setting had them playing with abandon. The two guitarists often smashed into each other as they bounced around the stage. The bassist, who prefers hanging off to the side, was hiding behind the speakers just to avoid them.

Check out their fun loving, low budget video for "Moxy Blues". It's like an iTunes commercial on acid:


Peel is one of the best bands Austin has to offer. I've seen them three times and each show has been better than the last. They often pull the rug from under the headliners and leave people (or least me) wanting more. Tonight was no exception.


The first Japanese band to play was The Captains. They were exactly what I expected: lots of 60's inspired rock with coordinated hand gestures and synchronized bows at the end of each song. They didn't speak much English so they just kept repeating "Thank you!" and "So happy to see you!" The best part of The Captains was their "get ups" (as they say here in Texas). Before the show they were all dressed in Boy Scout uniforms and during the setup they looked like waiters with ruffled tuxedo shirts. For their set, they went for a Sgt. Peppers Lonely Hearts Club thing. However it looked like a mix of Austin Powers and the lion tamer for Ringling Brothers. The Captains put on a good show but were no match for what came next.

Tsu Shu Ma Mi Re are an all girl band that apparently has some association to a cartoon called The Powerpuff Girls. I never quite caught the connection. Like The Captains, their English was limited, so I couldn't understand their onstage banter. No matter. They let the music do the talking for them. It was ironic to hear their high pitch, cutesy voices as they play thrashing punk rock with a Japanese twist. They knew how to put on a memorable show using a lot of classic rock moves: climbing the speakers, getting the crowd clapping along to songs, jumping into the crowd. Here's a taste of what their live show is like:



All in all, a great night out in Austin. Tonight should be just as good as Belaire and White Denim (my favorite new band) take the stage at Mohawk.

Wednesday, August 27, 2008

Let's Talk About It: White Denim


In a little over two years Rock Club has seen roughly 300 bands (no, My Morning Jacket is not one of them). Some good, some bad, a lot in between. I always wondered if I'd head out one night and be completely blown away by a band. You think it'll happen but it doesn't. Maybe I've become cynical. The more likely answer is that while yes, there are a lot of good bands out there, you rarely see a band that unexpectedly melts your face. We've seen some amazing shows. Sleater-Kinney, LCD Soundsystem, and The Dismemberment Plan reunions shows come to mind. But I expected as much going into those shows. The only band that truly caught me off guard was The Gossip. Well, on Thursday night in Austin I saw a band that even topped The Gossip. That band is White Denim.

I hadn't planned on going out until we received an email suggesting I go see Peel at Mohawk. I'm always up for seeing Peel. I love those guys (and girl). Peel, Zookeeper, and White Denim were all opening for Brazos.

Peel was up first and were great. I never get tired of their first album and the songs off their new EP, August Exhaust Pipes (go download it for free!), are just as good, if not better. The set was much better than when I saw them open for Oxford Collapse and Frightened Rabbit. After they finished I debated whether to call it night. I decided to stick around since the place was packed and hopping. The crowd seemed anxious for the next band to begin so I settled in on the railing overlooking what I thought was Zookeeper.

The first thing that came into my mind when they launched into their set: MC5. They had a bristling energy from the get go. I was dumbfounded. I turned to the girl next to me, Olivia, and asked if she had seen Zookeeper before. She replied, "That's not Zookeeper, that's White Denim!". Over the next few songs Olivia brought me up to speed on the history of the band, including their devasting performances at this year's SXSW which landed them on the cover of the Arts Section of The New York Times.

The band is an explosive mix of punk and blues rock. That mix of punk, blues and soul is tough to pull off but when you do, it's a something to behold (think early White Stripes). It makes for great rock and roll, the kind I've been dying to hear since the onslaught of beardy bands started a little over a year ago.

Josh Block on drums sets the tone for the band. He beats the drums like they sassed his momma. James Petralli on guitar and lead vocals has quite a few tricks up his sleeve. He produces a myriad of sounds from the guitar, from funky riffs to sonic distortion. When singing he utilizes two microphones. The extra one distorts the vocals with a sampler (as best as I could tell). Also, while onstage he has the perfect rock persona, which doesn't hurt.

The real star though is the bassist, Steve Terebeki. He lays down the sweet beats. His fast, funky riffs and amazing skills aren't what you'd expect from a tiny man who has the boyish looks of a 7th grader. Seeing him jam away and clearly love every moment only got the crowd more into the show. You can't help but like these guys.

The set seemed short and before I knew it they thanked the packed crowd and started packing up their gear. In my mind I was thinking, "What? That's it?! NOOOO! KEEP PLAYING!!!" But it wasn't to be. There was no encore. I'm forced to wait until their set at ACL. You can be sure I'll be up close for that.

After the show I was speechless. I had never been so blown away by a band. I wasn't prepared for it at all. Inside Mohawk I ran into my friend Callie (a.k.a. Show Lush). She's seen White Denim a few times and said my reaction was fairly typical. The band simply crushes.

I feel like this is my Jon Landau moment. In 1974, the influential music critic went to see a 25-year-old singer-songwriter. Amazed by what he heard, Landau wrote the famous line, "I saw my rock and roll past flash before my eyes. I saw something else: I saw rock and roll's future and its name is Bruce Springsteen." Now, I'm not saying that White Denim is the next Bruce Springsteen (who is?) but I know one thing for sure. They're one band I'll be following for years to come (or as long as they're together) and I'll go see them live every chance I get.


"Let's Talk About It" by White Denim